Saturday, February 15, 2014

Road Trip to Plainly Spoken Exhibit

From trash to treasure: Darryl with his repurposed work boot, jeans, and shirt, behind glass. 

Cathleen Baker of Legacy Press designed this beautiful poster. I'm hoping the University of Michigan will make it available to purchase.

Julia Miller and me with our intrepid husbands!

It was exciting for me to see Julia's presentation!

Friday, February 14, 2014

Road Trip!



Darryl’s Valentine gift to me was a three-day Road Trip to Ann Arbor, Michigan, to attend the talk given by Julia Miller, author of BOOKS WILL SPEAK PLAIN. http://www.lib.umich.edu/events/plainly-spoken-remarks-book-binders-and-bindings


            I was privileged to share this experience not only with my husband—without whom none of this would have happened—but also with my friend since college, Patti Perkins, who lives in the area.


            As you see from my blog, I am a repairer of books, not a fine binder. I never thought that I would enter an exhibition. But Julia’s book captured my imagination, and so here we stand in the Harlan Hatcher Graduate Library’s Audubon Room. My binding is in the company of Audubon’s Birds of America and a 2nd-century papyrus that contains part of an Epistle of St. Paul in Greek.


             Julia Miller paired rare books with the new bindings to show historical references and connections. I was matched up with a New Testament “written by the scribe, Vasil” in Armenia in 1161. Julia placed written comments next to each of the 17 bindings. Of mine, she wrote: “Pairing this Armenian binding with the O’Connor binding was irresistible given the strong materials and massive presentation of both bindings. The metal studs used to decorate the cover of the New Testament are referenced by the metal boot catches on the spine leather of the O’Connor binding….” There’s more, but you get the idea.


            I accidentally left my camera in our van, so these blurry photos are the best I could do with my outdated cellphone.


            My husband drove me to Michigan and back. In February. (It was minus 9 degrees when we left Ann Arbor Wednesday.) Now that’s true love.


PHOTOS to come, I hope. Blogger has problems. So I'll try Facebook.

Sunday, January 19, 2014

Billy Whiskers

In this children’s book, published by Saalfield in 1902, Billy Whiskers is constantly leading his girlfriend into trouble. After hearing stories some friends have told recently about their mischievous goats, I understand why the Billy Whiskers books were so popular. The book is 112 years old, but goats are still causing trouble in 2014. This rebinding was my special Christmas project for a friend.

Repairs performed:
Text block: Paper repair on all sections, using Japanese tissue and wheat paste.
Removed old glue and mull from spine.
Removed previous owner’s bookplate and saved it.
Pulled weak threads and re-sewed pages onto linen tapes.
Made new endpapers of Antique Endleaf.
Made new title page with author, publisher, and copyright information.
Made headbands of antiqued fabric and linen twine.
Backed spine with heavy cotton back liner.
Added tissue guards to colored illustrations.
Cover: Replaced some missing portions with dyed Moriki tissue.
Removed pencil marks.
Separated paper covers from original acidic boards and backed with Japanese paper.
Laminated cover boards with Bristol to create frames for insets.
Made new covers of slate-colored Iris bookcloth and glued insets into new covers.

Cased repaired text block into new covers. Titled the spine.


Thursday, November 21, 2013

My Shaggy Dog Story


Here's the link to the Plainly Spoken online catalog:
I could not help laughing when I first viewed it. Amid the truly beautiful, technically-exquisite and historically-knowledgeable bindings, mine stands out—as the “shaggy dog” among the purebreds! But I'm happy to be in the company of my betters. One of the exhibitors encouraged me with a gracious comment using the apt phrase, "brawny materials." This was the right opportunity at the right time for me, and I am thoroughly enjoying it. Thank you, Midwest Guild.

Monday, November 18, 2013

"Plainly Spoken" on view at University of Kansas

I am excited that this article about the Plainly Spoken exhibit includes a photo of my binding! I wish I could attend the gallery talk this week. http://www.lib.ku.edu/news/2013/bookbinding.shtml .
Another highlight for me this year: I attended my first Guild of Book Workers Standards Seminar, in Washington, DC. I am grateful for the generosity of the Guild in awarding scholarships to several people, including me. One day I will be able to pay it forward.

Friday, October 18, 2013

"Plainly Spoken" Binding



This post will have more text than usual. Here goes!

My husband’s discarded work boots caught my eye last fall. “Wouldn’t this make a great spine-piece!” I thought as I snagged them from the trash. Later, I added his work-stained Levis jeans and a Faded Glory cotton shirt. The Samaritan’s Purse T-Shirt came from his volunteer service in Biloxi, Mississippi, three weeks after Hurricane Katrina devastated that area. He and a group of contractors from our church used their carpentry skills to repair blasted homes.
  
I had ordered BOOKS WILL SPEAK PLAIN, Julia Miller’s history of bindings that reflect their eras, unbound from the author. I couldn’t wait to read it, so I slit the foredges and read the book in sheets.
 
           This summer, I learned that the Midwest Guild of Book Workers would sponsor “Plainly Spoken,” a juried exhibition of bindings for this book! Here was the motivation I needed to create the binding I had in mind.

            I cut away the sole of the boot and as much of the icky lining as possible. I spread the leather wrong-side-out in the sunlight for days to kill off bacteria and get rid of odor.  When I pared, cut, and sewed the spine, I experienced the full meaning of “tough as an old boot.”

            Then I began the task of tailoring the shirt and jeans to a book. As I worked with the well-made jeans and shirt, I measured and stitched and pulled out threads and snipped 4, 6, and 8 layers from the seams.

            I had no idea what I was getting into (an all-too-common situation for me). I solved problems at each step of the process, which took longer than I ever thought it would. Thank heavens the deadline was extended. I pulled my first all-nighter ever on the final night in order to complete the clamshell box and Fed Ex the book to meet the deadline.

            Throughout the process, I reminded myself, “This is my book. I can do whatever I want!” This binding is made from my husband’s work clothing, honest materials stained and paint-spattered from honest work. The earbuds bring this classic outfit—T-shirt, work shirt, Levis, and leather boots—into the 21st century.

            So now Julia Miller’s wonderful book is truly clothed in the “just the Dress his Century wore.”

            Yesterday, I learned that my binding had been accepted and will travel to five venues over the next year and a half!

EXHIBIT SCHEDULE

Nov 2013 – Jan 2014   Spencer Research Library, University of Kansas. Lawrence, KS
Jan – Apr 2014   University of Michigan. Ann Arbor, MI
Apr – Jul 2014   The Newberry. Chicago, IL
Aug – Nov 2014   University of Iowa. Iowa City, IA
Jan – April 2015   Minnesota Center for the Book. Minneapolis, MN
      
PHOTOS:
The earbuds are a visual reference to a “speaking book.” The long single-strand end (tucked into the pocket) doubles as a “ribbon” place marker. (




Shirt fabric is “tucked” into the waistband for the turn-in. The foredge can be buttoned. A bit of T-shirt peeks out from the front cover, as if worn under the shirt.

Jeff Peachey’s paring knife passes the ultimate test.

The drop-spine box is covered in denim cut from the legs of his work jeans.

Classic clothing, stained and paint-spattered from honest work.

My husband sanded the head and tail of the text block. I didn't want to remove all the printer's marks.

Tuesday, July 9, 2013

The Dead Sea Scrolls

     “The Dead Sea Scrolls!” my client exclaimed when I showed him the “before” photograph of Bible pages, shredded from 30 years of use, laid out on my worktable. Then I handed him his mother’s study Bible with the pages restored and resewn, her handwritten notes peeled away from the laminated flyleaf and included in the new endpaper attachment, and a new leather cover with the same look and feel as the original. He paid me for my work, of course, but his amazement and gratitude were also a meaningful part of my compensation.
        Bookbinding, like writing, is a solitary occupation. When I apply sentences to an empty page, hoping they will come to life and reveal something true, I’m thinking and working alone in a room. When I apply Japanese tissue to a torn page, with a pile of damaged pages yet to restore, I experience the same kind of hope.