Bookbinding, like writing, is a solitary occupation. When I apply sentences to an empty page, hoping they will come to life and reveal something true, I’m thinking and working alone in a room. When I apply Japanese tissue to a torn page, with a pile of damaged pages yet to restore, I experience the same kind of hope.
Tuesday, July 9, 2013
The Dead Sea Scrolls
“The Dead Sea Scrolls!” my
client exclaimed when I showed him the “before” photograph of Bible pages,
shredded from 30 years of use, laid out on my worktable. Then I handed him his
mother’s study Bible with the pages restored and resewn, her handwritten notes
peeled away from the laminated flyleaf and included in the new endpaper
attachment, and a new leather cover with the same look and feel as the
original. He paid me for my work, of course, but his amazement and gratitude
were also a meaningful part of my compensation.
Bookbinding, like writing, is a solitary occupation. When I apply sentences to an empty page, hoping they will come to life and reveal something true, I’m thinking and working alone in a room. When I apply Japanese tissue to a torn page, with a pile of damaged pages yet to restore, I experience the same kind of hope.
Bookbinding, like writing, is a solitary occupation. When I apply sentences to an empty page, hoping they will come to life and reveal something true, I’m thinking and working alone in a room. When I apply Japanese tissue to a torn page, with a pile of damaged pages yet to restore, I experience the same kind of hope.
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Wow those pages look like a resurrection job. Restoration in this case seems like too light a description. Wow!
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