Springback binding, Moby Dick, Jane Austen and a "broken" Bible

 

My T-shirt from Wonder Book says on the back, “If there were no books, there would be no Moby Dick.” Melville’s classic makes an appearance in my novel.

   Book artist Karen Hanmer shepherded 10 of us through a challenging two-day springback binding workshop in the Folger Shakespeare Library's conservation lab two weekends ago. This past Saturday, I attended an American Christian Fiction Writers (ACFW) conference in Virginia. Both of these events confirmed my commitment to meld bookbinding with novel-writing. (See 2014 post: “Bible Repair and Novel Writing Make a Mess.”)
    My novel-in-progress, The Broken Bible, is the first in a series featuring a bookbinder who solves mysteries. A “book-breaker” is a person who takes apart books (of prints, say) in order to sell individual pages. A book-breaker is considered a villain by bibliophiles. (“He breaks books! He’s scum!” is a direct quote from someone I know.) The conflicts unleashed in my novel by the discovery of a page from a “broken” 1526 Tyndale New Testament lead to broken hearts—and broken commandments.
    The restoration of an antique ledger—a Cemetery Book with a springback binding—is a plot point in The Broken Bible, so I was thrilled to take Karen’s class. She is a generous and skillful instructor and binder. The Folger lab is new and modern. What a privilege to work there for two days! We brought our own tools and used their heavy equipment (the board shear and book presses). I enjoyed the weekend fusion of my blue-collar book world (I’m a book wrangler at Wonder Book, a giant used-book store) with the rarefied environment of book conservators who handle Shakespeare First Folios.
    By the way, I recommend the current Folger exhibit, “Will and Jane: Shakespeare, Austen, and the Cult of Celebrity” (http://www.folger.edu/exhibitions). For those who have seen the 1996 A&E “Pride and Prejudice,” Colin Firth’s shirt is on prominent display. Another case contains works that satirize Shakespeare and Austen, including Seth Grahame-Smith’s “Pride and Prejudice and Zombies.”
    The ACFW Conference imparted instruction, vision, and motivation for editing my novel and writing a first draft of the next in the series . I am grateful to author Jan Elder, who leads my writer’s group, for the ride, the encouragement, and the fellowship (along with Steve Baer, a member of the group). When I told one of the organizers that the conference gave me more than my money’s worth, she said that was their goal.

Heritage Day Festival 2016

We always set up next to the Middletown Library Book Sale. I managed not to bring so much stuff this year. It was fun explaining the old boot (it's the mate to the one I used for the spine of the book next to it). Darryl's beautiful "New Antiques" tables were perfect for displays. Someone brought their Bible for repair, along with the handwritten estimate I did at last year's festival!

I did an on-the-spot estimate for repairs to this little book. 

The Holzer Book Bindery

Our visit to the Holzer Book Bindery was a highlight of our trip! Marianna comes from a family of binders, dating from 1870. I couldn't attend the Guild of Book Workers conference this year, but made an unexpected and wonderful connection in Vermont! The link to the bindery website is:
http://www.holzerbindery.com/Holzer_Bindery/Welcome.html

Ric and Marianne graciously showed us the bindery. Ric is holding the book he wrote that Marianne bound for him.  Marianne holds the photo album that chronicles her family history of bookbinding. We persuaded Dolina to get in the picture also. 

I'm happy to have made this Vermont bookbinding connection!

Hana, a Daughter of Japan

This repair had three parts and several challenges. The silk threads had broken at both ends of the book. Although I have done the Noble Binding sewing pattern when making new books, I didn't want to disturb these 112-year-old pages, bound in 1904. The pages would probably have expanded, so then the brocade fabric headcaps wouldn't have fit... and so on. I tied on silk threads and re-sewed just the head and tail sections, tucking the knots into the holes. The folding case had done its job--protecting the book--but was showing the signs of wear. (Also, the red sun and black ravens seemed harsh compared to the delicate and beautiful silk-screened covers.) I replaced missing ribbons, re-made the loops for the bone clasps, and inserted new Moriki hinge strips under the original paper at the joints. Then I made a new slipcase, with an inset photo of the repaired cover.

Repaired book and folding case, with new slipcase. I lined the interior of the folding case with acid-free tracing paper, which protects the fragile silk covers from further acidic deterioration.

Before repair: Folding case with bone fasteners taped to the cover, missing ribbons, and book with frayed silk threads.

The new slipcase protects the restored folding case and displays the clasps. The silk-screened cover of the book is fragile, so the photo inset into the slipcase displays its beauty without extra handling and wear.

Heritage Book and Bible Repair: Catalog for Life Along the Potomac

Hope I can link my blog to my Facebook page. Heritage Book and Bible Repair: Catalog for Life Along the Potomac https://www.facebook.com/tawn.oconnor

Catalog for Life Along the Potomac

I find the Keith Smith books useful when I feel like playing. The photos and artists' statements from the winter Life Along the Potomac exhibit were online, in single-sheet format. After having them printed at FedEx Office, I made them into a long accordion fold, with a concertina sewn onto the back folds to give them backbone. Then I followed the "Piano-Hinge Collapsible Star" directions, more or less.

Midwest Geographies exhibit at Michigan State University May 2016

To my surprise, they included my "distressed" Mackinac Bridge box and collage of the process. I packed in a lot of stuff for this entry, and really appreciate how they displayed it.